梅花三弄

A clown, an apple, and 6 million likes: Chinese acrobatics finds a new generation_我的网站

一 |     AI摘要      厦门持续夯实医疗服务体系，截至2025年末全市卫生人员近5万人，医师超2万。    

    Acrobat Bing Bing backstage at a scenic spot in Beijing Photo: Courtesy of Bing BingAt an amusement park in Beijing, a young female clown tossed an apple into the air several times, catching it each time and taking bites out of it along the way. The seemingly simple routine delighted visitors, many of whom pulled out their phones to film it. Videos of the act have garnered more than 6 million likes on Douyin, China's version of TikTok.
Bing Bing, a young acrobat born in the 2000s, told the Global Times that she first tested the "tossing and eating an apple" routine through short videos before taking it to the stage. After her first performance, she spent the holidays performing it, adjusting the movements and pacing based on how audiences responded.
"Performance is the hardest thing to master. Your facial expressions and body movements have to convey to the audience what you are doing and what you want to do," she said. "The goal is to make them know that you are performing, yet still find it entertaining."
According to Bing Bing, the training behind such performances is far less glamorous than the finished act suggests. "Training is very repetitive. You fail, repeat, fail again, succeed and then fail again," she said. "Practice is what turns quantity into quality, even facial expressions and body movements require deliberate practice." 
For Bing Bing, however, mastering the routine is only one part of the job. Once performers step in front of an audience, the carefully rehearsed movements have to adapt to a live and unpredictable setting.
Beyond the theater
In recent years, acrobatic performances have increasingly moved into aquariums, theme parks and cultural tourism venues, where audiences themselves become part of the performance rather than simply watching from fixed seats.
Bing Bing previously performed alongside other clowns at an aquarium, inviting visitors to participate in the act. She said the difference is not merely a change of venue: performers have to constantly interact with the people in front of them.
"Traditional stages are farther away from the audience and are better suited to performances that people simply watch," she said. "Aquariums and theme parks, however, place greater emphasis on interaction and connection with the audience. Even with the same routine and interactions, you can often get unexpected results."
That interaction also changes how performers think about rhythm and presentation. A routine that works in a theater cannot necessarily be transferred unchanged to a tourist attraction, where audience reactions, distance and participation can all alter what happens on stage.
Sun Dawei, head of the Wuqiao Acrobatic School, told the Global Times that this shift is also changing the industry's approach to production.
"Acrobatics used to focus mainly on showcasing skills. Now there is greater emphasis on story-telling and emotional expression," he said. "Performances are no longer confined to theaters, but are increasingly staged as resident shows at cultural tourism venues."
According to Sun, a production usually begins with a theme, followed by the selection of appropriate skills. Performers then refine the routine repeatedly before adding music and stage design and going through multiple rehearsals.
"Traditional signature skills and core fundamentals must be preserved," he said. "Content that simply pursues danger or no longer fits contemporary aesthetics needs to be repackaged. Traditional skills should be given new forms of expression while retaining their roots and appealing to modern audiences."
For Bing Bing, this shift has also been made possible thanks to short-video platforms. Her apple routine gained its first wide exposure online before audiences encountered it in person.
"Short videos have helped more people learn about Chinese acrobatics and traditional culture, and encouraged more people to go to theaters and watch performances offline," she said. 
The growing visibility of acrobatics online, however, has raised another question: once traditional skills enter new venues and digital platforms, how can performers avoid simply repeating familiar formulas?
    Acrobat Liza performs an aerial acrobatics routine. Photo: Courtesy of LizaBreaking the formula
Russian aerial acrobat Liza, who has lived and worked in China for more than seven years and now performs regularly at Shanghai Qianguqing, a large-scale cultural tourism attraction featuring live performances, noted that the answer lies in how a show is constructed as a whole.
"A performance should start with an overall concept, and then you choose the props and music around it. Music itself can guide the choice of movements, provided the performer already has a solid technical foundation," Liza told the Global Times. "The transitions between movements have to be natural and smooth, like telling a story step by step. Costumes are also important because they complete the character. Everything needs to work together."
For Liza, technical difficulty should serve the performance rather than become the performance itself.
"Real professionalism means making the audience unable to see how hard you are working. Everything should look effortless," she said. "I value beauty and precision in movement. You should not make things more complicated simply to show off your skills. You should improve steadily as you grow as a performer, rather than constantly chasing greater difficulty."
She said that this is particularly important as increasingly extreme acts, including hair- and tooth-hanging, attract attention online.
"Most performers are following established templates, and I rarely see people creating something that is truly their own," Liza said. "You can find your own style and way of expression without taking excessive risks."
From an apple-tossing routine that drew more than 6 million likes to performances in aquariums and cultural tourism venues, traditional acrobatics is finding new ways to reach audiences. But bringing an old art back into the spotlight is not simply about making tricks harder or more spectacular. As Bing Bing's apple routine shows, sometimes it takes a familiar skill presented in an unfamiliar way to make a new generation stop and watch again.
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二 | 值此第九个中国医师节来临之际，向坚守一线、守护健康的广大医务工作者致敬。         健康是人民群众最朴素的期盼，也是城市最暖的底色。从高山村落的义诊现场到海岛渔村的送医之路，从智慧就医的便捷体验到暖心服务的细微举措，全市医务工作者深入落实厦门市卫健委“提升三服务、打造三满意”工作部署，用实干与实绩书写新时代健康厦门“民心答卷”。    据厦门市卫健委统计，截至2025年末，全市卫生人员总数达49195人；其中，执业（助理）医师达20642人，比2024年稳步增长。

三 | 全市共有医院70家、社区卫生服务中心33家、基层医疗卫生机构2679家。这些数据背后，是新时代医务工作者在坚守初心，践行“敬佑生命、救死扶伤、甘于奉献、大爱无疆”医者精神。    2026年8月19日是第九个中国医师节，海西晨报社特别策划了一组报道，致敬每一位以凡人之躯扛起生命重托的医师。    便民服务 “一站式出入院”启动     王阿姨家住镇海路附近，常年要到厦门大学附属第一医院（以下简称“厦大附一”）看病取药。过去，王阿姨看病免不了折腾。早上8点，医院门诊大厅便已人山人海，大家排着队缓慢向前挪动。对王阿姨来说，可能排队较长时间，只为进入诊室和医生交流短短几分钟。有一次，轮到王阿姨看病时，她发现自己忘了带医保卡，不得不赶回家拿卡。看完病，她早已身心疲惫。    现在不一样了。2025年，厦大附一在省内率先部署刷脸“一码付”医保结算服务，真正实现“刷脸就医”，王阿姨再也不用担心忘带医保卡，没办法看病了。    今年7月，厦大附一还全面启动“一站式出入院”服务，每个病区都部署了“一站式出入院自助机”，患者在病区护士站或自助机上就能办理入院、出院手续，真正实现患者“入院、出院不出病区，手续床边办结”。

四 |     病人优先 升级便民停车服务     除夕夜，万家团圆之际，市民冬冬却经历了一场虚惊——孩子不慎被异物卡喉，他紧急驱车到厦门大学附属中山医院（以下简称“厦大中山”）急诊就医。“几分钟，异物取出来了，然后，我开车出医院，前后不到30分钟。医院里停车，半小时内免费，这次就医体验太好了！”冬冬说。    “让来看病的患者少走路”，厦大中山800个停车位开放，缓解患者看病“停车难”。将最宝贵的空间腾挪给患者——厦大中山停车服务的变化是医院秉持“病人优先”理念，暖心服务持续优化升级的一个缩影。    停车服务的变化，看似是服务患者的一小步，实则是城市文明与医疗格局进化的一大步。

五 |     如今，患者到厦大中山就诊，不论是高温天还是暴雨天，开车直接进地下停车场，乘电梯上楼就是诊室，患者的就诊越来越便利。    质效提升 争分夺秒抢救生命     患者突发急性心梗，从进医院大门到血管被疏通需要多久？国际标准是90分钟内，而厦门大学附属心血管病医院（以下简称“厦心”）的答案是：37.43分钟。    36岁的吴先生在家中洗澡时晕厥倒地，被诊断患急性重症肺栓塞，厦心团队携带ECMO紧急驰援，仅用15分钟就成功抽吸出血栓，让患者转危为安；出现终末期心衰，又无法接受心脏移植的蔡先生，在厦心成功植入全球最轻全磁悬浮人工心脏，生命“重启”；83岁的马来西亚华侨李先生在厦心接受微创手术，解决主动脉瓣重度狭窄问题，术后第三天便能出院……厦心持续发挥国家临床重点专科与国家心血管病区域医疗中心的双重优势，进一步精进心血管急危重症精准救治技术，构建优质高效的救治网络，守护厦门及周边地区百姓“心”健康。

六 |     智慧共享 “互联网+中医”推广     72岁的集美居民林大伯患慢性肝病，经常需复诊调方。以前，他去药店买药，时常买不全，需要坐1小时的车到厦门市中医院取药。

七 | “现在方便了，在社区卫生服务中心开方，下午中药就送到家，药全、质量又好。”林大伯说。    “基层开方、云端流转、中医院响应”，这是市中医院牵头建设的厦门市全域智慧共享中药房为市民带来的便利。居民通过手机即可复诊开方、预约检查，中药配送到家，医保实时结算。

八 |     不仅如此，厦门市中医院打造的“互联网+中医”服务体系，还成功入选国家发改委全国改革试点典型经验，面向全国推广。

九 |     截至今年7月，智慧共享中药房已覆盖厦门6个行政区的47家基层卫生机构及多家专科医院，中药代煎配送24小时内送达，厦门地区最快6小时送药到家。    闽台协作 台湾名医“登鹭”坐诊     台胞陈先生在厦门常住，曾经他最怕突发不适时的两岸奔波——台湾健保卡在厦无法直接刷卡结算，回台湾办理，一趟流程往往耗去半个月。如今，在厦门长庚医院（以下简称“厦门长庚”）看病，他已经可以免于奔波。    作为大陆首家台资三甲医院，厦门长庚把闽台医疗协作融入每一处细节：门诊大厅的“台胞医保服务站”像一座“跨海桥”——专线一拨即通、专属窗口一窗通办，门急诊及住院5日内费用，服务站可协助办理材料确认、代寄至台湾健保机构，报销款直接打回患者个人账户。更贴心的是，该院全国首创的“医保+公证”院内直办服务：患者住院超5天，需公证的材料，过去患者要跑公证处，如今在站内线上提交，约10分钟就能办结，公证书直抵患者手中，副本同步传至海基会，返台核退一路“绿灯”。    两岸（台湾）医疗转接中心设在一楼大厅，专线优先挂号；每月60余位台湾长庚名医“登鹭”坐诊，母胎医学、睡眠医学等特色专科无缝对接。最令人振奋的是，两岸肝胆外科双院士协作——董家鸿院士与陈肇隆院士团队已携手完成3例高难度肝胆手术，为患者筑牢生命防线。

十 | （海西晨报记者 曾昊然 于婧媛 马 丽 黄伊娜）     【相关链接】     践行医者使命，守护健康厦门，这是厦门全体医师共同的心声。本月初，复旦中山厦门医院与厦门医学院附属第二医院签署分级诊疗合作备忘录，探索城市型分级诊疗厦门模式；厦门市苏颂医院持续打造“南北同颂，医心向党”党建品牌，与同安区12个社区、11家社区卫生服务中心及数十家企事业单位签订共建协议，构建覆盖社区、企业、学校的健康服务网络；厦门市儿童医院今年增设八大疑难罕见病远程多学科（MDT）门诊……“以患者为中心”，不仅仅在于医疗器械更新迭代、医疗技术提升，更在于各家医院始终坚持“病人优先”，在细微之处久久为功。

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Published on:08:17:39